June is graduation month and what a great time to revisit one of my all time favorite movies The Graduate (1967). With its reflective Simon and Garfunkel soundtrack, risque-at-the-time older married woman and young graduate/virgin theme coupled with two sixties keep-up-with-the-Joneses families in southern California, the film was a major statement on the times.
For those of you who have not seen this classic (hard to imagine), a young graduate named Benjamin Braddock (played by a thirty year old Dustin Hoffman) has no clue about what to do with his future and spends the summer embroiled in an affair with his parent's best friend's wife -- and then falls in love with her daughter. Incidentally, Ava Gardner, Judy Garland and Robert Redford and Warren Beatty were up for the roles as Mrs. R and Benjamin respectively while Patty Duke tested for the role of the daughter. Just imagine what a different movie that would have been. The groundbreaking film was nominated for seven Academy Awards, with Mike Nichols winning best director.
I was very fortunate years ago to interview the film's production designer the late Richard Sylbert who also gave us such classics as Chinatown, Shampoo, Rosemary's Baby and Bonfire of the Vanities (and also added head of production at Paramount to his resume). His twin brother Paul was also a production designer whose many credits included Heaven Can Wait, Prince of Tides and Kramer vs. Kramer. Sylbert lived and played hard and always wore a khaki jacket on set as he related movie production work to "being in a war."
Sylbert on the set of Bonfire of the Vanities
The sets for The Graduate revolved around the two families, the Robinsons and the Braddocks. Using the metaphor of the Montagues and Capulets, Sylbert designed two houses that were identical but the designs are reversed and both in black and white and round versus square shapes. The Robinsons have a round staircase, round arches and a rectangular swimming pool while the Braddocks residence has square or rectangular openings. Both houses are an interplay of contrasts from the marble checkerboard floors to Mrs. R's white shag carpet lair. Even "Mr. Gladstone's" hotel room is white with black accents.
Mrs. R's Bedroom
Anne Bancroft's Mrs. R was costumed in leopard (I love the fact she wears a leopard pillbox hat to her daughter's wedding!) which represents another metaphor, that of a predator (and yes, possibly she was the precursor to "cougars").
Photo by Bob Willoughby
And the iconic image still so identifiable today....