Showing posts with label Coco Before Chanel. Show all posts
Showing posts with label Coco Before Chanel. Show all posts

Thursday, February 4, 2010

And the Oscar may go to.....



The Oscar nominees for Best Achievement in Art Direction and Best Costume Design were announced in the wee hours this past week....congratulations to all and if you haven't seen these films, here is yet another reason.

Best Art Direction Nominees:

Avatar (Twentieth Century Fox)

Production designer Rick Carter (the genius behind the designs of the groundbreaking films Jurassic Park, War of the Worlds and Forrest Gump) and Robert Stromberg along with set decorator Kim Sinclair designed the sci-fi film's dream state visuals of Pandora (coined by director James Cameron as "phantasmagoric") which are a huge hit with 3-D goggle wearing audiences everywhere. Carter reportedly described the project as "The Wizard of Oz" meets "Apocalypse Now" and the film's innovative designs of Pandora's ecosystem rise to the challenge. Avatar is also up for Best Picture along with other nominations.



Nine (The Weinstein Company): Production designer John Mhyre and set decorator Gordon Sim created movie magic once again (they worked on the sets for 2002's Chicago) with their creation of a two worlds for Guido Contini -- fantasy and reality. They used the Broadway play as a blueprint for the more minimal design of the musical numbers.



Sherlock Holmes (Warner Brothers ): The Academy Award nominated designers for Pride and Prejudice were naturals to design director Michael Ritchie's Edwardian England. Production designer Sarah Greenwood and set decorator Katie Spencer created dank prisons, cobweb filled laboratories and Victorian residences right down to the last detail.



The Young Victoria (Apparition) The Academy loves a good costume drama that is always filled with historically appropriate period interiors and this one does not disappoint. What sets production designer Patrice Vermette and set decorator Maggie Gray's work apart is they successfully blend the royal settings with a contemporary feel. Always great eye candy!




The Imaginarium of Doctor Parnassus (Sony Pictures Classics): Designing a Terry Gilliam film is always a challenge as the sets are filled with fantasy on steroids while bizarre and whimsical at the same time. Dave Warren and Anastasia Masaro, production designer and set decorator respectively, rose to the occasion beautifully. The sets are surreal and dare I say, pure imagination and have to be seen to be believed.



Best Costume Design nominees:

Coco Before Chanel (Warner Brothers) A film of this calibur about a fashion icon is a natural but perhaps daunting job for costume designer Catherine Leterrier whose training as a couturier came in handy (she also worked on Robert Altman's Pret-a-Porter). While the designs of Chanel's later years are well-documented, creating clothing for a time when the young designer was poor yet stylish was quite a challenge. The striped Breton top and palazzo pants were just a few glimpses of the many classics to come.



Nine (The Weinstein Company): Academy Award winning costume designer Colleen Atwood designed a variety of stunning costumes that included everything from sixties retro to Follies Bergere. Atwood also did the wardrobes for Public Enemies , Chicago and Memoirs of a Geisha. Each actress had her own look and film influence -- Marion Cotillard in a little black dress a la Breakfast at Tiffany's and polka dot dress pays homage to Roman Holiday while Kate Hudson's fringe go-go boot ensemble channels many of the sixties films (and Hullabaloo television show for those of us that remember!).



The Young Victoria (Apparition) Often production and costume design go hand in hand and such is the case of the film about Queen Victoria's early years. Costume designer Sandy Powell designed the costumes for Martin Scorsese's The Aviator and certainly no stranger to period design. Perhaps one of the most sumptuous of the research laden designs was Victoria's intricate Coronation Robe which had to be dyed just the right shade of gold.



Bright Star (Apparition): Costume designer Janet Patterson's designs for a character who wants to be a costume designer take center stage in Jane Campion's l9th century love story between poet James Keats and Fanny Brawne.



The Imaginarium of Doctor Parnassus (Sony Pictures Classics): Imaginarium was a dream job for costume designer Monique Prudhomme who created a wide array of outfits from a white nymph dancer's costume to Dr P's asian kimonos. Much of the film's inspiration comes from 16th and 17th century theater designs and is quite electic. Below is the late actor Heath Ledger who sadly passed during the filming.



The Academy Awards will be announced on day, March 7th at 8:00 est. And if you are interested in ordering the poster at the top of the blog, it is 25.00 plus shipping and can be purchased through the Academy's website here.

Good luck to all!

Many thanks to the cool California blog Riviera View and Become shopping blog for the Cinema Style mentions.

Photo Credits: Twentieth Century Fox, The Weinstein Company, Academy of Motion Picture Arts and Sciences, Warner Brothers, Sony Pictures Classics and Apparition.


Sunday, August 23, 2009

Chanel, Cinema Style


Before she was one of the most important forces in fashion, Jeanne Gabrielle Chanel a.k.a. Coco Chanel spent her youth in an orphanage where she learned how to be a seamstress.

Opening September 25th, the film Coco Before Chanel (Coco Avant Chanel) celebrates one of the most influential fashion designers of the 20th century, chronicling the young designer's formative years.

This is not her first time on the screen, large or small. The iconic designer has been heralded in the biopic Chanel Solitaire (1981), documentary Signe' Chanel (2005) and Oscar winning actress Shirley MacLaine donned her pearls and black beret to play the legendary designer in later life in the Lifetime movie Coco Chanel (2008). She was even portrayed by Katherine Hepburn in the 1969 Broadway musical Coco. And in real life, Chanel was a costume designer on the Jean Renoir film La regle du jeu (1939).



MacLaine channels Mlle Chanel



Directed by the stylish Anne Fontaine (The Girl From Monaco), the story weaves the rags-to-riches tale of Chanel, concentrating on her early years. Fontaine referenced the Charles-Roux book Chanel and her World: Friends, Fashion, and Fame and noted, "I had to think about whether it was possible to stick to the first period of her life --the training years, what had happened before Chanel, herself, understood her dazzling destiny."

Director Anne Fontaine


French actress Audrey Tatou embodies both the spirit and sophistication of Chanel as well as the look. You may also recognize her from Amelie and The Da Vinci Code. Keira Knightly was said to have been offered the coveted role and turned it down.

Audrey Tatou as Chanel

Maison Chanel opened their archives for the historical period piece which features everything from the young Coco's Aubazine uniform (which is said to have greatly influenced her style with its black skirts and white blouses) to her classic couture. The daunting task of designing the film's costumes was assigned to costume designer Catherine Letterier who explained, "The Chanel style is distinctive in its cut, the supple hang of its fabric and the perfect simplicity of its finish. The costumes of this film had to be up to the exacting standards of haute couture."





For more on the life of Coco, check out Mademiselle: Coco Chanel/Summer 62 by Karl Lagerfeld and Douglas Kirland and the definitive book (in my humble opinion!) Chanel: A Woman of Her Own (Axel Madsen, Holt, 1991) as well as scores of other tomes.




And for more on the film, check out the official website.



Photo Credits: Courtesy of Sony Pictures Classics, Lifetime

Thursday, July 30, 2009

Coming Soon: Fall Movies


While we are still in the last remnants of summer, the fall movie season is upon us, hopefully rescuing us from reality tv and into the theater. (Can the Housewives of Poughkeepsie be far behind?)

In the upcoming weeks and months I plan to post on cuisine in the cinema with Julie & Julia (and shamelessly plug a cover article!) along with the designs for It's Complicated, the new Nancy Meyers romantic comedy with Meryl Streep, Alec Baldwin and Steve Martin. As you recall, Meyers directed design rich films such as Somethings Gotta Give and The Holiday. I am interviewing Nancy and her design team next week and my article appears in the December issue of Traditional Home -- the Santa Barbara sets are beautiful and will not disappoint!

I will also cover the design duo of John Myhre and Gordon Sim on the highly anticipated Nine. Along with director Rob Marshall, they brought us the electric sets of Chicago and you will feel as if you are watching La Dolce Vita, 2009. The actress laden film (Sophia Loren, Kate Hudson, Nicole Kidman, Dame Judith Densch, Marion Cotillard and Fergie!) will be out Thanksgiving. And yes, Daniel Day Lewis plays the starring role.


Nine and its all star cast


I will also report on Coco Before Chanel in September and the historical period designs for Amelia (as in Earhart with Richard Gere and Hilary Swank) and Sherlock Holmes with Jude Law and Robert Downey Jr.

Audrey Tatou as Coco Chanel


in the film Coco Before Chanel


Hilary Swank as the ill fated Amelia Earhart in Amelia






Photo Credits: Warner Brothers, Sony Classics, Weinstein Company, Fox Searchlight