Here's to You Graduates (and Mrs. Robinson)

June is graduation month and what a great time to revisit one of my all time favorite movies The Graduate (1967). With its reflective Simon and Garfunkel soundtrack, risque-at-the-time older married woman and young graduate/virgin theme coupled with two sixties keep-up-with-the-Joneses families in southern California, the film was a major statement on the times.

For those of you who have not seen this classic (hard to imagine), a young graduate named Benjamin Braddock (played by a thirty year old Dustin Hoffman) has no clue about what to do with his future and spends the summer embroiled in an affair with his parent's best friend's wife -- and then falls in love with her daughter. Incidentally, Ava Gardner, Judy Garland and Robert Redford and Warren Beatty were up for the roles as Mrs. R and Benjamin respectively while Patty Duke tested for the role of the daughter. Just imagine what a different movie that would have been. The groundbreaking film was nominated for seven Academy Awards, with Mike Nichols winning best director.

I was very fortunate years ago to interview the film's production designer the late Richard Sylbert who also gave us such classics as Chinatown, Shampoo, Rosemary's Baby and Bonfire of the Vanities (and also added head of production at Paramount to his resume). His twin brother Paul was also a production designer whose many credits included Heaven Can Wait, Prince of Tides and Kramer vs. Kramer. Sylbert lived and played hard and always wore a khaki jacket on set as he related movie production work to "being in a war."

Sylbert on the set of Bonfire of the Vanities

The sets for The Graduate revolved around the two families, the Robinsons and the Braddocks. Using the metaphor of the Montagues and Capulets, Sylbert designed two houses  that were identical but the designs are reversed and both in black and white and round versus square shapes. The Robinsons have a round staircase, round arches and a rectangular swimming pool while the Braddocks residence has square or rectangular openings. Both houses are an interplay of contrasts from the marble checkerboard floors to Mrs. R's white shag carpet lair. Even "Mr. Gladstone's" hotel room is white with black accents.

Mrs. R's Bedroom

Anne Bancroft's Mrs. R was costumed in leopard (I love the fact she wears a leopard pillbox hat to her daughter's wedding!) which represents another metaphor, that of a predator (and yes, possibly she was the precursor to "cougars").

                                                       Photo by Bob Willoughby

And the iconic image still so identifiable today....

Movie Poster

Illustrator Harold Michaelson's storyboards

Check out the 40th anniversary edition on DVD, it is still a classic.

Photo Credits: Lillian Michaelson Research Library, United Artists

Beth O and Oh My Dog

Calling all dog lovers - while I know this is not cinema related, it does cover another passion of mine, the care and welfare of animals. I recently had the opportunity to talk with the former model turned author and animal advocate Beth Ostrosky Stern who wrote the book Oh My Dog: How to Choose, Train,Groom, Nurture, Feed, and Care for Your New Best Friend which grew out of a sheer lifelong passion for animals. Co-written with Kristina Grish, the book is a 500 page reference on everything from brushing your dog's teeth (she's even invented a doggie dental pen called Pawfect Smile. Ingenious!) to how to read a dog food label.

You may know Beth as the wife of famous (or dare I say infamous) shock jock Howard Stern (and yes, I have been a fan since his days at WNBC). The newlyweds (October marks a year) reside in Manhattan with an eight year old English bulldog named Bianca and a special needs cat named Apple who was dumped in a box outside a shelter.  And yes, apparently life is pretty normal being married to the King of All Media as she notes,  "We are a pretty boring, normal couple," she says. For more see my story on The Huffington Post.

Beth and Apple

Beth is also a volunteer and spokesperson for the North Shore Animal League  which is the nation's largest no-kill shelter and Wildlife Rescue Center of the Hamptons. Recently the NSAL brought four displaced dogs from the Nashville floods (and my hometown) to the Regis and Kelly show while Beth and Bianca made an appearance. The dogs were adopted immediately.

Beth's book hits the New York Times best seller list this week. A portion of the book and dental pen proceeds go to animal charities. Congrats and keep up the good work!

For more on Beth and Oh My Dog and Pawfect Smile, go to her website here.


Photo Credits: Galley Books/Simon and Schuster, photo of Bianca and Apple by Christoper Appoldt.

Designs and the City: Sex and the City 2

Yes they're back.... and coming soon to a theater near you. Carrie, Miranda, Samantha and Charlotte return to the screen in Sex and the City 2 (Warner Brothers) this Memorial Day weekend and the film promises fashion, style, travel, love, drama and even a gay marriage with Liza Minelli as the entertainment thrown in for good measure. And great sets.

I had the opportunity to once again interview Lydia Marks who also reprised her role as set decorator (she worked on SATC1 and gave us Miranda Priestly's fabulous power office in The Devil Wears Prada). Lydia, who is also an interior designer and principal of Marks & Frantz in NYC, (her real life work can be seen at the Standard Hotel's roof top bar)  had the opportunity to redesign Carrie and Mr. Big's apartment along with a pretty fabulous wedding party. (Jeremy Conway served as production designer of both the film and television series and came up with the initial concepts).

Cinema Style: What was the design direction for Carrie and Mr. Big's apartment?

Lydia: It was decorated as if Carrie (and her decorator) chose the pieces, but with Big very much in mind!  It was designed to be a place he would be comfortable.  It has a lot of strong lines in it, and furniture with hard edges.  In the layering of the furniture and the personal objects, books, textiles, and collections, I tried to add a little Carrie into it. For example, the carpets were patterns that I chose to reflect her nature and creativity.

Lydia: The kitchen was the one room in the house that was totally given over to Big in terms of design, it's his room. For example, the simple, elegant, mid-century rosewood table and chairs are something he would have chosen. Knowing that this room would be seen in many different shots of the apartment, we wanted a light fixture that would work with that period of furniture and complement the room.

Alan Moss dining table

Lee Jofa fabric on dining chairs

Chairs by Martin Albert

Ceramic tile in kitchen - Heath Tile

Glass and pottery in shelves: End of History

For the living/dining room we made our own cashmere covered wainscoting in a pinstriped deep shade of chocolate to create a rich, luxurious feeling space.

Robsjohn Gibbings Club Chairs from Bergdorf Goodman

Coffee Table - Potrona Frau

Montauk Sofa with Donghia fabric in Basket Case Blue

Throw pillows from Calypso Home 

Area rug from  The Rug Company

Cinema Style: How did the story line play into your decisions?

Lydia: One of the design trends now is overscale furniture. This drove us to search out more vintage pieces, lending a challenge to find the right furniture for Big and Carrie’s NYC apartment - and a set that needs to leave room for actors to move. In the beginning, when the designer and I were discussing Carrie's apartment and what style might appeal to her character, we considered French Deco from the 1930’s because the scale was appealing. We ultimately moved away from that specifically, but tried to retain the scale and the character of that period.

Lydia: The design direction in the foyer was to create a console table that supported an important script note. The director wanted Carrie to make a dramatic entrance that brought her deeper into the apartment. So rather than fulfilling the mundane role of a place to drop your keys and mail, the foyer became an important backdrop for them every time they walk in the apartment. The console table, a great Mastercraft piece, is filled with an eclectic assortment of vintage pieces from different time periods and different 1st Dibs vendors: a beautiful handblown glass bell jar filled with butterflies from the 1800s, fanciful striped lamps and a mirror that is reminiscent of hollywood glamour. 

Cinema Style: And no Carrie Bradshaw interior would be complete without the ultimate closet. Besides finding the perfect man, her dream was to have the perfect closet. Looks like she gets her wish!

For more, see my pieces on "Sets and the City" on the Architectural Digest website and on the
Huffington Post (which should be up today or tomorrow -- check the Style section).

Photo Credits: Warner Brothers, Craig Blankenhorn, Lydia Marks.

Purpose, Passion and Ping Pong

I thought I'd share with you my recent cover story for American Airlines Celebrated Living on Susan Sarandon whose upcoming film Wall Street 2: Money Never Sleeps was previewed at the Cannes Film Festival this past week. Sarandon plays the mother of a young trader (Shia LaBouef) and gets caught up in the real estate/economic crunch. A very timely tale indeed...

While we know the Academy Award winning actress for her many multi-faceted roles and volunteer work (she's played everything from a nun to a gun-toting waitress on the lam -- and who can forget her role as Janet in the cult see-it-at-midnight classic Rocky Horror Picture Show?) -- she is also an ardent activist and about to tackle the real-life role of empty nester.

Sarandon has also added another passion to her resume -- ping pong! She discovered the sport while working with a group of documentary producers and eventually partnered on SPIN New York which is a bar and table tennis club located in the Flatiron district. All players at all levels are welcome and I am glad to see ping pong become fashionable! For more about SPIN, check out their website.

Wall Street 2 premieres September 24th. You can also check out Sarandon in HBO's You Don't Know Jack and currently in theaters, The Greatest with Pierce Brosnan.

Photo Credits: Time Magazine, Celebrated Living, SPIN New York.

Window Dressing

For those of you who were unable to attend Elle Decor's  Legends of La Cienega event that honored design in film and television, here are a few windows inspired by some of my favorite films and designed by some of LA's top set decorators and designers. Thanks go to my friend Victoria Amado for taking such good pictures! (Photo above s Peter Dunham's A Passage to India at Hollyhock).

Auntie Mame set at Baker  designed by Woodson & Rummerfield

Breakfast at Tiffany's by Richard Hallberg at Navona

Melissa Levander's tribute to the musical comedies of the fifties and sixties at Dragonette

Oliver Furth's interpretation of The Fountainhead at Bausman and Company

For more see Elle Decor's Sneak Peak video here.

Mothers Day at the Movies: A Look Back at Monster in Law

With Mother's Day upon us, I thought it might be fun to visit another type of mother -- the mother in law.  Hollywood has almost always portrayed her as evil and Monster-in-Law, the 2005 comedy that pits Jane Fonda as a jealous/protective/nightmare mother in law Viola Fields and Jennifer Lopez as the prospective daughter in law is a perfect case in point.

The sets were designed by production designer Missy Stewart who also gave us the memorable interiors of Legally Blonde. "Set" in idyllic Montecito, Fonda's  manse was actually a 1927 Wallace Neff estate in Pasadena with a wonderful rose garden and fabulous oval shaped entrance hallway. The decor is  elegant with lots of French, Mediterranean and classic Southern California touches. I love the ivory tone on tone palette used for the bedroom and sitting rooms.

Stewart filled every space with details to tell us about the character's life and used actual photos of Fonda with Ted Turner, Jon Voight, Oprah Winfrey and Gloria Steinem for a tabletop vignette.

Viola's master bedroom is filled with dramatic bed and window treatments, Aubusson rugs and decor as grand as the character herself. And speaking of over the top, Fonda reportedly used ex-husband Ted Turner as inspiration for her role.

Viola's son Kevin has a Craftsman house (chosen for its masculine attributes) with asian inspired touches.

 Kym Barrett is responsible for the film's costume designs and felt they were "supporting characters in and of themselves" as "clothing is used as weaponry between Charlie (Lopez) and Viola." With her large hats, abundance of jewelry and power looks that mean business, Viola's wardrobe is intimidating and over the top while Charlie is costumed in hip, bohemian street looks.

 Mother's Day is May 9th -- score some points and do something nice for your mother in law too. Or not.

Photo Credits: Set photos courtesy of Missy Stewart, New Line.

Legends of La Cienega

If you are in the Los Angeles area next week, be sure to attend the 2010 Legends of La Cienega event as they celebrate design in film and television. Sponsored by Elle Decor magazine, the event will feature vignettes and lectures of interior designer's work inspired by many of our favorite films along with tributes to some of the leading set decorators in the business:

Interior Designers and Showrooms:


• Auntie Mame by Woodson & Rummerfield at Baker
• Breakfast at Tiffany's by Richard Hallberg at Navona Antiques
• Dangerous Liaisons by Tim Corrigan at Reborn Antiques
• Dr. Zhivago by Dayna Lee at George Smith Handmade Furniture 
• The Fountainhead by Oliver Furth at Bausman & Co.
• Goldfinger by James Radin at Mecox Gardens
• L.A. Confidential by Kevin Corn at Maison Schembri
• Lawrence of Arabia by Philip Nimmo at Compas Architectural Stone, Inc.
• A Passage to India by Peter Dunham at Hollyhock
• Pillow Talk by Sheldon Harte at Gray Morell


Leading Set Decorators:


• A Tribute to Film Noir by Laura Richarz (True Blood, Cheers, and Three's Company) and David Smith (Cirque du Freak, Shop Girls, Imagine That, and Holiday) at Jean de Merry
• A Tribute to Black and White Television Classics by Peter Gurski and Melinda Ritz (Will and Grace) at Scalamandré
• A Tribute to Romantic and Musical Comedies of the '50s and '60s by Melissa Levander (The Conspirator,   Made of Honor, and Little Miss Sunshine) at Dragonette Ltd.
• Barbara Munch, Glee, at Jamal's Rug Collection
• Ann Shea, Big Bang Theory, at Todd Hase Furniture, INC.
• Amy Wells, Mad Men, at Paul Marra Design
• Amy Wells, The Single Man, at The Nanz Company and Remains Lighting


This is a partial list and there are many more events and vignettes planned.
For more on the event, see their website.

A Tale of Two Crowns

Sequels and remakes seem to be the order of the day in Hollywood as filmmakers continually try to improve on a classic and practice the old adage "imitation is the sincerest for of flattery." Most of the time they miss the mark and should leave well enough alone. And often the remake provides a fresh new take on a classic. Thomas Crown Affair is a perfect case in point of the latter.

I was watching a Tonight Show interview with Pierce Brosnan the other night and the discussion of a possible sequel to his remake of Thomas Crown Affair came up. Apparently no script has been decided
as of yet but hope springs eternal. Both films captured the style and glamour of an era and tell the tale of a cat and mouse caper with a multi millionaire protagonist  and his sophisticated suitor.

The original stars Steve McQueen (who goes against type) as a bored playboy/corporate titan who decides to pull off a bank heist in Boston. Chased by insurance investigator Vicky Anderson (Faye Dunaway), the elegant stylish film is filled with polo, art auctions, dune buggys at the beach and a memorable soundtrack. The film is said to be McQueen's favorite and the part was originally offered to Sean Connery (who would have made an equally wonderful Crown).

The remake stars Pierce Brosnan as the billionaire Crown and Rene Russo as Catherine Banning as the insurance investigator. Similar plot lines but this time the heist is a Monet at the Met and the playground extends from Manhattan to Martinique and racing on the beach is replaced with a flight on a glider and polo is replaced by crashing a catamaran.

Dune buggy scene shot on the beach in Ipswitch

The two seat German glider scene was actually filmed in the studio

Dunaway's wardrobe was designed by Theodora Van Runkle. Faye Dunaway noted in the book Dressed: A Century of Hollywood Costume Design (Harper Collins) "It was the age of the mini, just as it was starting to happen. I said to Thea, 'Let's go very short, this woman doesn't do anything by half measures.' And the micro-mini was born."

Both Dunaway's updo and Russo's hairstyle caused a sensation  and were highly requested and copied....

as were the use of oversize hats in both films....

Production designer Bruno Rubeo and set decorator Leslie Rollins were not allowed to shoot in the Metropolitan so they developed ingenious sets that were identical to the portrait galleries. The interior of the New York public library was used as well as a soundstage.

Crown's to die for townhouse was also shot on a soundstage. Shown below are designs for the entrance hall and study.

Here's hoping for Thomas Crown Part Three....

Photo Credits: MGM, Leslie Rollins, IMDB