Showing posts with label The Young Victoria. Show all posts
Showing posts with label The Young Victoria. Show all posts

Sunday, March 7, 2010

And the Oscars went to...



Congratulations to the Academy Award winners for Best Art Direction and Best Costume Design.
Well deserved!!!

Best Costume Design: The Young Victoria

Costume Designer: Sandy Powell







Best Are Direction Winner:  Avatar

Production Designers: Rick Carter and Robert Stromberg
Set Decorator: Kim Sinclair




Photos: Twentieth Century Fox, Apparition

Thursday, February 4, 2010

And the Oscar may go to.....



The Oscar nominees for Best Achievement in Art Direction and Best Costume Design were announced in the wee hours this past week....congratulations to all and if you haven't seen these films, here is yet another reason.

Best Art Direction Nominees:

Avatar (Twentieth Century Fox)

Production designer Rick Carter (the genius behind the designs of the groundbreaking films Jurassic Park, War of the Worlds and Forrest Gump) and Robert Stromberg along with set decorator Kim Sinclair designed the sci-fi film's dream state visuals of Pandora (coined by director James Cameron as "phantasmagoric") which are a huge hit with 3-D goggle wearing audiences everywhere. Carter reportedly described the project as "The Wizard of Oz" meets "Apocalypse Now" and the film's innovative designs of Pandora's ecosystem rise to the challenge. Avatar is also up for Best Picture along with other nominations.



Nine (The Weinstein Company): Production designer John Mhyre and set decorator Gordon Sim created movie magic once again (they worked on the sets for 2002's Chicago) with their creation of a two worlds for Guido Contini -- fantasy and reality. They used the Broadway play as a blueprint for the more minimal design of the musical numbers.



Sherlock Holmes (Warner Brothers ): The Academy Award nominated designers for Pride and Prejudice were naturals to design director Michael Ritchie's Edwardian England. Production designer Sarah Greenwood and set decorator Katie Spencer created dank prisons, cobweb filled laboratories and Victorian residences right down to the last detail.



The Young Victoria (Apparition) The Academy loves a good costume drama that is always filled with historically appropriate period interiors and this one does not disappoint. What sets production designer Patrice Vermette and set decorator Maggie Gray's work apart is they successfully blend the royal settings with a contemporary feel. Always great eye candy!




The Imaginarium of Doctor Parnassus (Sony Pictures Classics): Designing a Terry Gilliam film is always a challenge as the sets are filled with fantasy on steroids while bizarre and whimsical at the same time. Dave Warren and Anastasia Masaro, production designer and set decorator respectively, rose to the occasion beautifully. The sets are surreal and dare I say, pure imagination and have to be seen to be believed.



Best Costume Design nominees:

Coco Before Chanel (Warner Brothers) A film of this calibur about a fashion icon is a natural but perhaps daunting job for costume designer Catherine Leterrier whose training as a couturier came in handy (she also worked on Robert Altman's Pret-a-Porter). While the designs of Chanel's later years are well-documented, creating clothing for a time when the young designer was poor yet stylish was quite a challenge. The striped Breton top and palazzo pants were just a few glimpses of the many classics to come.



Nine (The Weinstein Company): Academy Award winning costume designer Colleen Atwood designed a variety of stunning costumes that included everything from sixties retro to Follies Bergere. Atwood also did the wardrobes for Public Enemies , Chicago and Memoirs of a Geisha. Each actress had her own look and film influence -- Marion Cotillard in a little black dress a la Breakfast at Tiffany's and polka dot dress pays homage to Roman Holiday while Kate Hudson's fringe go-go boot ensemble channels many of the sixties films (and Hullabaloo television show for those of us that remember!).



The Young Victoria (Apparition) Often production and costume design go hand in hand and such is the case of the film about Queen Victoria's early years. Costume designer Sandy Powell designed the costumes for Martin Scorsese's The Aviator and certainly no stranger to period design. Perhaps one of the most sumptuous of the research laden designs was Victoria's intricate Coronation Robe which had to be dyed just the right shade of gold.



Bright Star (Apparition): Costume designer Janet Patterson's designs for a character who wants to be a costume designer take center stage in Jane Campion's l9th century love story between poet James Keats and Fanny Brawne.



The Imaginarium of Doctor Parnassus (Sony Pictures Classics): Imaginarium was a dream job for costume designer Monique Prudhomme who created a wide array of outfits from a white nymph dancer's costume to Dr P's asian kimonos. Much of the film's inspiration comes from 16th and 17th century theater designs and is quite electic. Below is the late actor Heath Ledger who sadly passed during the filming.



The Academy Awards will be announced on day, March 7th at 8:00 est. And if you are interested in ordering the poster at the top of the blog, it is 25.00 plus shipping and can be purchased through the Academy's website here.

Good luck to all!

Many thanks to the cool California blog Riviera View and Become shopping blog for the Cinema Style mentions.

Photo Credits: Twentieth Century Fox, The Weinstein Company, Academy of Motion Picture Arts and Sciences, Warner Brothers, Sony Pictures Classics and Apparition.


Monday, December 28, 2009

Cinema Style Moments of 2009


As the holiday comes to a close with visions of red carpets dancing in our heads and the assembling of the ubiquitous year-end top ten film lists, I thought it would be a good time to look at some of the best style moments on film:

Best Sixties Homage: Nine

Nothing is more iconic than Italian Cinema in the sixties. From Kate Hudson's fishnet stockings, go-go boots and minidress to sleek little Italian sportscars, Nine captures the mood, the fashions and la dolce vita. While I am not sure why the critics were so harsh-- after all it's a musical not brain surgery - I loved it.






Best Costume, Period Drama (tie):
Cheri and The Young Victoria

Nothing says Oscar contender in the Best Costume Award department quite like a period film a.k.a. costume drama. Consolatta Boyle designed the costumes for Cheri, Collette's tale of a retired courtesan (played by Michelle Pfeiffer) who falls for a young man named Cheri. Set during the time of the Belle Epoque, it must have been a designer's dream.


Sandy Powell (who won Oscars for her work on
Shakespeare in Love and The Aviator) created the research and labor intensive gowns for a young Queen Victoria. And it must have been worth it -- apparently the costumes were insured for 10,000 pounds each.


Best Glam: Nicole Kidman in Nine

Nicole Kidman is total movie star glamorous as the muse and obsession of director Guido Contini in Nine. Starring as Italian film actress and icon Claudia, she is stunning in a nude colored strapless retro-glam gown by designer Colleen Atwood.


Best Interior Design: It's Complicated



Production designer Jon Hutman once again creates his design magic with Nancy Meyers in what will be another much copied, discussed, blogged and envied set among the design world. Together (along with set decorator Beth Rubino) they created a "sophisticated casual elegance" in idyllic Santa Barbara for Streep's character Jane.

Best Bride Movie: Bride Wars

While the movie wasn't exactly up to par, the bridal gowns were wonderful. With the exception of Father of the Bride (both original and parts one and two), why can't Hollywood continue to make a good matrimonial movie?

Anne Hathaway and Kate Hudson as dueling brides


Best Period Design: A Single Man

Who better to design a sixties period piece than Mad Men's Dan Bishop (production designer) and Amy Wells (set decorator)? From the main character George's Neura styled glass house to the sixties circular sofa, one feels they stepped into a time machine.


Best Product Placements: Confessions of a Shopaholic

Prada, Yves St. Laurent and Burberry take center stage in this cut-your-cards-up-or-else cautionary tale. Below our heroine takes in a spree Carrie Bradshaw style at New York's Henri Bendel.


Best Cinema Cuisine: Julie & Julia

Hard to imagine food preparation competing with Meryl Streep's magnificent channelling of uber-cook Julia Childs, but it happens in the blog-turned-best-seller- turned film. I think one could watch Streep read a cereal box and it would be interesting.

Best Fashion Documentary and the Use of the Color Red: Valentino, The Last Emperor

Filmmaker and director Matt Tyrnauer set the documentary bar rainbow high (with poetic license to Evita!) with his profile of the legendary designer Valentino. From the behind the scenes machinations of the fashion process to his collection of pugs contently flying in a private jet, the film is a fascinating look at a man who created one of the largest fashion empires in the world.


Best Movie Poster and Tag Line: The September Issue

I think the tagline says it all -- "Fashion is a Religion. This is the Bible."
Best Gardens (tie): The Young Victoria, Cheri and It's Complicated Hard to imagine an English period film without the requisite topiary garden. The designers of It's Complicated built a working organic garden for Streep's character (which was later donated to a local school).

Emily Blunt in The Young Victoria
Many of the film's interior scenes were shot at Belvoir Castle in Leicestershire.


Meryl Streep in It's Complicated



... and with Alec Baldwin


Cheri with Michelle Pfeiffer and Kathy Bates

Best Period Interior Design: Cheri

Actually there were many contenders as designing the historic period interior is a difficult task -- but the lavish and colorful setting by production designer Alan MacDonald held my interest. (Sherlock Holmes, The Young Victoria, Amelia, etc. were equally and visually as interesting in their own way). The art noveau Paris mansion is filled with strong colors, leopard, luxurious silks -- all that would be expected in a Stephen Frears (of Dangerous Liaisons fame) film.

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Photo Credits: Weinstein Company, Universal Pictures, Columbia Pictures, Acolyte Films, GK Films, Miramax, Twentieth Century Fox, Touchstone Pictures and A and E Indie Pictures.