Cinema BackStory: The Casting Call

The date was December 10, 1938 and a massive two-year search was underway for the role of Scarlett O’Hara in the best selling novel turned film Gone with the Wind. The setting was Hollywood’s 40 Acres backlot where a party was taking place to watch the filming of the burning of Atlanta. 

The burning of Atlanta on the 40 Acres lot

Everyone from studio bigwigs and celebrities to secretaries and firemen watched the sets from King Kong go up in flames while dining on spaghetti, baked potatoes and turkey-a-la-king. Partygoer and talent agent Myron Selznick (and brother of the film’s producer David O.) showed up late – and quite inebriated – for the evening’s festivities with his client, celebrated British actor Laurence Olivier. 

Olivier and Leigh

On the arm of the very married Shakespearean actor was his lover, the dark haired green-eyed beauty Vivien Leigh who was also a Selznick client and dying to play the part of Scarlett. Ever the opportunist and dressed to kill in a mink coat and full stage makeup, David Selznick spots Leigh amid the burning embers as brother Myron remarks, “Hey genius, here’s your Scarlett O’Hara.” Two screen tests and three weeks later, Leigh beats out thirty-two actresses along with thousands of unknowns for the coveted role and the rest was cinematic history.

One of the main contenders was Paulette Goddard who possibly lost the part as Selznick wanted to avoid a scandal revolving around her questionable marital status with Charlie Chaplin. (The situation was ripe with irony as Leigh and Olivier -- both married to other people --  were living together at the time as well). Lana Turner, Tallulah Bankhead, Joan Bennett, Lucille Ball and Katherine Hepburn were also considered.

Paulette Goddard

David Selznick on the set of GWTW 

Many of our favorite films could have taken a different turn due to casting choices. Both Candice Bergen and Robert Redford screen tested for the roles of Elaine Robinson and Benjamin Braddock in The Graduate and were turned down. Redford was told by director Mike Nichols that "he could never play a loser in a million years." The iconic "loser" role launched the career of Dustin Hoffman.

America's quintessential screen virgin Doris Day was considered for the predatory Mrs. Robinson  who remarked, "I cannot see myself rolling around in the sheets with a young man half my age that I'd seduced." Fortunately Anne Bancroft could and received an Academy Award for her effort not to mention a great set of highlights.

The part of Thomas Crown was originally written for Sean Connery by screenwriter Alan Trustman who worried Steve McQueen would not effectively be able to deliver the dialogue. The part was later rewritten with "The King of Cool" in mind who said it was one of his all-time favorite roles.

Hugh Grant was said to be "kicking himself" over the Academy Award winning role in The King's Speech -- a career move that is certainly a head scratcher.

Hugh Grant

Academy Award winning actor Colin Firth

Jeff Bridges was up for the part of Oliver in Love Story (he was also up for Big, Officer and a Gentleman, Taxi Driver, Shawshank Redemption and Indiana Jones) which solidified Ryan O'Neal's place in film. (And speaking of Officer and A Gentleman, John Denver turned down the lead in Officer, imagine him alongside Debra Winger).

a very young Jeff Bridges

Ryan O'Neal and Ali MacGraw. Fresh off of Peyton Place,
co-star Barbara Parkins  auditioned for the role  of Jenny

I love a good backstory and it's always interesting to think what might have been. Tupac turned down Bubba in Forrest Gump?  Christopher Walken as Jesus Christ in The Temptation of Christ? (I can see Saturday Night Live now). And OJ as the lead in The Terminator? Producers feared the former NFL great turned felon would not be taken seriously as a killer  -- and  I promise I did not make that up:).

Photo Credits: Paramount, MGM, Weinstein Company, Embassy Pictures, MGM

The Man on Lincoln's Nose

A wonderful man passed away several weeks ago. Robert Boyle, one of the last of the great art directors, was 100 years young and held the honor or being the world's oldest living recipient of an Academy Award. Trained as an architect, he graduated from the University of Southern California and was eventually hired as a draftsmen in Paramount's art department in the thirties and moved on to art director at Universal in the forties. He was a true product of the Hollywood studio system.

Cary Grant, James Mason and Eva Marie Saint in North by Northwest

Perhaps he was best known for his collaborations with famed suspense director Alfred Hitchcock (Saboteur 1942, North by Northwest 1959, The Birds 1963 and Marnie 1964). He gave us some classic film moments -- Cary Grant being chased by a crop duster (Boyle combined a toy truck and toy airplane on a miniature field) and Grant and Eva Marie Saint running across the faces of Mount Rushmore.

Hitchcock wanted to film at the famed National Park but the idea was nixed by the Department of Interior after the director boasted of his stars on the monument. Boyle rappelled down the actual monuments,  took photographs from various angles and made scale-model plaster casts of the presidents back at the studio soundstage. The audience was none the wiser.

The Van Damm house (which Boyle described as a sort of "jungle gym for Grant") was influenced by
Frank Lloyd Wright's Fallingwater house in western Pennsylvania. The floor to ceiling windows and rooms dangling dangerously over a cliff were perfect plot devices for Hitchcock's drama. His work garnered him an Academy Award nomination.

Frank Lloyd Wright's Falling Water

North by Northwest

Hitchcock's Amusing Take on Mount Rushmore

Sean Connery and Tippi Hedren in Marnie

The Birds with Tippi Hedren and Rod Taylor

Boyle's sketch of the climactic Statue of Liberty scene for Hitchcock's Saboteur

His varied resume ran the gamut from sets for The Wolfman, Gaily Gaily, In Cold Blood and Mame (Lucille Ball version) to The Thrill of It All and The Thomas Crown Affair.

The Thrill of It All with Doris Day

Faye Dunaway and Steve McQueen play cat and mouse in Thomas Crown Affair 

Boyle was nominated four times for an Oscar for Best Art Direction but never won. He eventually received an Honorary Academy Award at the age of 98, making him the oldest recipient of an Academy Award. He started a production design program at the American film Institute and taught up until the time of his death. I was fortunate to spend an afternoon at his house, listening to stories and looking through a lifetime of images (his mind was sharp as a tack). He will be missed but thankfully his work lives on.

Robert Boyle 1909-2010

For more on the documentary The Man on Lincoln's Nose, go here. He is also featured in a  documentary on art direction called Something's Gonna Live, see more here.

Photo credits: Universal, MGM, 

A Tale of Two Crowns

Sequels and remakes seem to be the order of the day in Hollywood as filmmakers continually try to improve on a classic and practice the old adage "imitation is the sincerest for of flattery." Most of the time they miss the mark and should leave well enough alone. And often the remake provides a fresh new take on a classic. Thomas Crown Affair is a perfect case in point of the latter.

I was watching a Tonight Show interview with Pierce Brosnan the other night and the discussion of a possible sequel to his remake of Thomas Crown Affair came up. Apparently no script has been decided
as of yet but hope springs eternal. Both films captured the style and glamour of an era and tell the tale of a cat and mouse caper with a multi millionaire protagonist  and his sophisticated suitor.

The original stars Steve McQueen (who goes against type) as a bored playboy/corporate titan who decides to pull off a bank heist in Boston. Chased by insurance investigator Vicky Anderson (Faye Dunaway), the elegant stylish film is filled with polo, art auctions, dune buggys at the beach and a memorable soundtrack. The film is said to be McQueen's favorite and the part was originally offered to Sean Connery (who would have made an equally wonderful Crown).

The remake stars Pierce Brosnan as the billionaire Crown and Rene Russo as Catherine Banning as the insurance investigator. Similar plot lines but this time the heist is a Monet at the Met and the playground extends from Manhattan to Martinique and racing on the beach is replaced with a flight on a glider and polo is replaced by crashing a catamaran.

Dune buggy scene shot on the beach in Ipswitch

The two seat German glider scene was actually filmed in the studio

Dunaway's wardrobe was designed by Theodora Van Runkle. Faye Dunaway noted in the book Dressed: A Century of Hollywood Costume Design (Harper Collins) "It was the age of the mini, just as it was starting to happen. I said to Thea, 'Let's go very short, this woman doesn't do anything by half measures.' And the micro-mini was born."

Both Dunaway's updo and Russo's hairstyle caused a sensation  and were highly requested and copied....

as were the use of oversize hats in both films....

Production designer Bruno Rubeo and set decorator Leslie Rollins were not allowed to shoot in the Metropolitan so they developed ingenious sets that were identical to the portrait galleries. The interior of the New York public library was used as well as a soundstage.

Crown's to die for townhouse was also shot on a soundstage. Shown below are designs for the entrance hall and study.

Here's hoping for Thomas Crown Part Three....

Photo Credits: MGM, Leslie Rollins, IMDB

Sixties Cinema Style: Lisa Perry

One of my favorite fashion designers is Lisa Perry. Her look is contemporary yet Jackie O with a twist and reminds me of one of my all time favorite design periods in film history, the sixties.

It's as if Perry channelled Doris Day, Audrey Hepburn,  a touch of Julie Christie in Darling (1965), 2001: A Space Odyssey (1968)  and a dash of Faye Dunaway in Thomas Crown Affair (1968). Her interiors and color palette personify sixties mod in every sense of the word and notes people often remarked  "This is where Barbarella meets Austin Powers" of her 2002 NYC apartment.

Perry's Dining Room interior, 2002

Perry's beachfront house, present day

Simple yet bold colors are the hallmarks of a Perry interior

Her sixties inspired room complete with shag circular carpet

 Saarinen inspired sets from the film 2001: A Space Odyssey

The Chicago native is said to be an aficionado and collector of sixties vintage couture (particularly Courreges, the iconic designer whose look was a mix of couture and sci fi) and grew up in a house filled with Saarinen and Marimekko. Schooled in textile technology -- and no doubt osmosis as her family owned a textile company --  the fashion designer has completely modernized the crisp primary colors and three dimensional shapes of the sixties into a timeless collection for our closets as well as our homes. 

Perry's  Block dress

and Op Art A line from the 2009 collection

Style icon and legendary actress Audrey Hepburn

Givenchy's sketches for Hepburn in Charade (1963)

Faye Dunaway and Steve McQueen in The Thomas Crown Affair (1968)

Doris Day and Rock Hudson in Pillow Talk (1959)

Julie Christie on set with director

John Schlesinger in Darling (1965)

Perry's flagship store in New York's Soho

For more on Lisa Perry, check out her website here.

Photo Credits: Lisa Perry, Vogue Living Houses Gardens People, Margaret Herrick Library, 

MGM, United Artists.