Sunday, November 6, 2011

A Designing Man



Design inspiration comes from a variety of places and often one of the most overlooked venues is the stage (be it film or theatre). Many of the careers of production designers overlap the worlds of costume, design, and architecture and such was the case of Oliver Messel.

Considered one of the most celebrated designers of England, Messel began his career in l925 creating the backdrop for Serge Diaghilev’s Ballets Russes. Memorable set designs soon followed such as the ballet Sleeping Beauty and films Caesar and Cleopatra, The Thief of Bagdad and Suddenly Last Summer for which he was nominated for the Academy Award for Best Art Direction.

Katharine Hepburn and Montgomery Clift in Suddenly Last Summer

Set sketches for Suddenly Last Summer

Liz Taylor in Suddenly Last Summer

Messel's sketch for Samson costumes


Claude Rains and Vivien Leigh in Caesar and Cleopatra
Following his stage work, the talented designer entered the worlds of interior design and architecture where some of his best work could be found on the islands of Mustique and Barbados for the fashionable seventies and eighties jet set. The hallmark of a Messel interior was pure whimsy mixed with the unlikely elements of baroque, rococo, Surrealism and classicism.  
Fustic House in Barbados and one of Messel's favorite spots


Cockade House in Barbados was once a sugar plantation


A Messel designed bedroom for Cockade House
Written by his nephew and furniture designer Thomas, Oliver Messel: In the Theatre of Design (Rizzoli, October 2011) is a must for both design and film aficionados alike. Rizzoli sent me a copy of the book recently and it's one of my favorite design books of the season.

Oliver Messel influenced Dorchester Suite  -
supposedly one of Liz Taylor's favorite hotels in London
Photo Credits: Rizzoli, Columbia Pictures, United Artists


A Designing Man





Design inspiration comes from a variety of places and often one of the most overlooked venues is the stage (be it film or theatre). Many of the careers of production designers overlap the worlds of costume, design, and architecture and such was the case of Oliver Messel.

Considered one of the most celebrated designers of England, Messel began his career in l925 creating the backdrop for Serge Diaghilev’s Ballets Russes. Memorable set designs soon followed such as the ballet Sleeping Beauty and films Caesar and Cleopatra, The Thief of Bagdad and Suddenly Last Summer for which he was nominated for the Academy Award for Best Art Direction.

Katharine Hepburn and Montgomery Clift in Suddenly Last Summer

Set sketches for Suddenly Last Summer

Liz Taylor in Suddenly Last Summer

Messel's sketch for Samson costumes


Claude Rains and Vivien Leigh in Caesar and Cleopatra
Following his stage work, the talented designer entered the worlds of interior design and architecture where some of his best work could be found on the islands of Mustique and Barbados for the fashionable seventies and eighties jet set. The hallmark of a Messel interior was pure whimsy mixed with the unlikely elements of baroque, rococo, Surrealism and classicism.  
Fustic House in Barbados and one of Messel's favorite spots


Cockade House in Barbados was once a sugar plantation


A Messel designed bedroom for Cockade House
Written by his nephew and furniture designer Thomas, Oliver Messel: In the Theatre of Design (Rizzoli, October 2011) is a must for both design and film aficionados alike. Rizzoli sent me a copy of the book recently and it's one of my favorite design books of the season.

Oliver Messel influenced Dorchester Suite  -
supposedly one of Liz Taylor's favorite hotels in London
Photo Credits: Rizzoli, Columbia Pictures, United Artists


Tuesday, November 1, 2011

The Art of the Steal



Coming soon to a theater near you -- Friday, November 4th to be exact -- is the all-star comedy caper Tower Heist (Universal). Starring Ben Stiller, Matthew Broderick, Michael Pena, Casey Affleck, and Eddie Murphy (as seen above), the story is straight out of the today's headlines. Alan Alda plays billionaire Arthur Shaw who swindles his investors out of their retirement (shades of Bernie Madoff) and most regrettably for him, the people that work in his swanky Columbus Circle luxury condo (again, as seen above). Stiller and his co-workers hire petty thief Eddie Murphy to steal some of Shaw's prize possessions -- the crown jewel being Steve McQueen's red 1963 Ferrari. Hence the name Tower Heist.


Designed by production designer Kristi Zea and set decorator Diane Lederman (they paired on Wall Street: Money Never Sleeps most recently), the sets are some of the most interesting of the decade. You can read more about the designs in my article for Architectural Digest this month and also on the Entertainment Weekly website. Enjoy!

Photo Credits: Universal Pictures

Monday, October 31, 2011

Dracula's Digs


Even Transylvania had some style...Happy Halloween!




Photo Credit: Universal

Sunday, October 23, 2011

Designing Hollywood's Golden Age



If you find yourself in San Francisco this weekend, I will be speaking at the San Francisco Fall Antiques Show on Designing Hollywood's Golden Age: Art Direction from the Twenties and Thirties. Sponsored by the Art Deco Society of California, I will cover some of the highlights of the period from Garbo's The Kiss and The Single Standard to the musicals of Fred, Ginger and Busby Berkeley and everything in between. Shown above is one of my favorite sets and photographs from Pleasure Crazed (1929).

The lecture will be on Saturday, October 29th at 11:00 a.m. followed by a book signing. For information and tickets, see the show's website here. There will also be a panel discussion and book signings with designers Thomas Jayne, Suzanne Lovell and David Kleinberg on The Curated Home which should also be of interest.

Garbo's The Kiss


Bette Davis in Ex-Lady

And if you are in the Dallas/Denton area, I will be speaking on Wednesday, October 26th at 6:30 p.m. at the University of North Texas on Designs on Film. 

Hope to see you there! Lecturing is easy....it's the packing that is hard....

Photo Credits: MGM

Saturday, October 22, 2011

A Pioneering Powerhouse



She's been called brash and brilliant, cutthroat and charming and a pioneer and a trailblazer. Most notably, she paved the way for women in the entertainment industry at a time when it was dominated by men. The legendary agent Sue Mengers passed away last week at the age of 78.

The Mengers story could be the stuff of film and fiction (it's often said the role of Dyan Cannon in 1973's The Last of Sheila was inspired by the petite dynamo).  Her family barely escaped the Nazis in Hamburg, Germany by fleeing to the United States where she  learned English from the front row of a movie theater. She eventually set her sights on a career in show business, working as a secretary at the William Morris Agency.  Dedication, networking, and a large amount of chutzpah landed her a spot as a junior agent and she eventually left for CMA (which became ICM years later) and represented some of the biggest stars in the stratosphere. Her roster at the time was beyond who's who -- Jack Nicholson, Gore Vidal, Candice Bergen, Peter Bogdanovich, Michael Caine, Barbra Streisand, Ali MacGraw, Ryan O'Neal, Steve McQueen and Faye Dunaway just to name a few.

Mengers and Jack Nicholson

And the stories were the stuff of legend. She would hold court in her Bel Air French chateau style home (once owned by Zsa Zsa Gabor) and later her John Elgin Woolf designed residence in Beverly Hills (one of the true originators of Hollywood Regency Style) for A-list members of the worlds of film, theater, journalism and publishing that would go well into the night. She loved to smoke more than the occasional joint, excelled at playing matchmaker (it was said she fixed up Barry Diller and Diane Von Furstenberg), and was known for her acerbic tongue and wit.

Mengers once got the attention of actor Tom Ewell by dropping her business card in his soup (yes, he signed as a client), rented a mink coat to impress and pitch a producer at dinner and thought nothing of playing liar's poker to get her stars the best deal. She often compared herself to Eve Harrington in All About Eve while Time Magazine noted that she was a "cross between Mama Cass and Mack the Knife" with the "subtle approach of a Sherman tank." While she had her share of detractors, Mengers was the type of agent and friend you want to navigate the shark infested waters of Hollywood. 

With Faye Dunaway and film producer Bob Evans

Mengers with Farrah Fawcett and Ryan O'Neal 

Mengers with Fred Glaser and Barbra Streisand (dressed in Collette)
for the film On a Clear Day You Can See Forever

                                               Art imitates life: Dyan Cannon in The Last of Sheila


Mengers shattered the glass ceiling for women in entertainment (at a time when they were relegated to making coffee) and it's unlikely the industry will ever the see the likes of the blonde indomitable force with the trademark caftan and rose tinted glasses again. (I often wonder what she thought of Entourage's Ari Gold?) R.I.P. Sue Mengers.


Photo Credits: Life Magazine

Saturday, October 15, 2011

Marilyn Monroe Revisited



Just when it appears everything has been written, photographed, recorded and dissected about all things Marilyn, we gain yet another perspective. 

The latest in the entry is a very unique one -- My Week With Marilyn (Weinstein Company) tells the diary account of Colin Clark, a lowly 23 year old assistant who worked on her film "The Prince and the Showgirl" with Sir Laurence Olivier. Marilyn was married to Arthur Miller at the time and when he departed the set for Paris, she fled with Clark to the English countryside for a welcome respite from the spotlight. 

Actress Michelle Williams channels the international megablond who captured the heart of a baseball player, an American President, a best selling novelist, and left indelible screen images in everything from The Seven Year Itch to the haunting Misfits. Oscar buzz has already begun and she certainly looks the part. The film also starts Judi Dench and Kenneth Branaugh.

Michelle Williams
Colin Clark's Book


Williams  on set with Dougray Scott as Arthur Miller
above and below


Monroe with third husband Arthur Miller
on the set of The Misfits in 1960. It was her last film.

From her platinum blonde locks and her red lipstick to her form fitting dresses, no one can argue that Marilyn was an icon in the truest sense and ranks as one of the most influential women in history (style wise).  In a case of imitation is the sincerest form of flattery, UK's Telegraph did a piece recently on celebrities who have taken a page from her style book and channeled their own inner (and in this case outer) Marilyn....

Lindsay Lohan

Gwen Stefani has long been a Monroe devotee
Scarlett Johansson for Dolce & Gabbana

Kelly Osborne goes from brunette to platinum blonde
James Franco at the Oscars


Paris Hilton tries the look on for size

Madonna spoof's  Gentlemen Prefer Blondes
for her Material Girls video 

Christina Aguilera in 2005

The film debuts November 4th.


Photo Credits: Laurence Cendrowicz/Weinstein Company, The Telegraph